Penn & Teller: Social Comedy and Edutainment

This past week, I was in Las Vegas, Nevada for the National Communication Association conference. I participated in a great pre-conference on sustainable communication, saw fabulous panels in rhetoric, religion, and science, and was honored to see a former student shine at her panel on material space and architecture. In the evening, I was able to explore some of Las Vegas's shows and strip night life. I attended Penn & Teller's show at the Rio Saturday night and knew immediately that I wanted to write a post about it. In this post, I will discuss some of my favorite tricks from the show and also my thoughts about the political, social, and scientific commentary that highlighted for me the importance of educational entertainment. I do not mean to give "spoilers" or to ruin the magic for anyone, so read at your own risk.

Retrieved from this site.

My first observation of the show was how honest and open Penn & Teller were about the art of deception. Many times, they blatantly told us what they doing and yet we were still bamboozled and confused. For example, Penn gave a speech condemning "psychics" who use tactics of cold reading to make audiences think that they have supernatural powers. Penn called out John Edward and Sylvia Browne, for example, for capitalizing on people's pain and misery in giving false hope through magic masquerading as messages from people who have passed. Penn has prepped us then, that what he is doing is really a trick. But, he does the readings so quickly and so spectacularly, it's really a wonder how he does it at all. In fact, being prepped and reminded about how the show is entirely full of tricks elevates one's awe and wonder because it has a natural explanation. If the answer is supernatural, then it is the supernatural power that is impressive, not the artist.

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One of the themes of the show was represented on a sign that Teller held up during one of the tricks: "We aren't doing the trick you think we are doing." He flat out tells the audience that deception is occurring and Penn & Teller cannot be trusted, and yet the audience still falls for the trap, time and time again. My favorite trick was relatively simple in its set-up. Teller chose a woman from the audience and gave her a coin jar. He then began picking water drops from a fish tank and turned them into pennies which he placed in the jar. Even though I was in the very back corner of the mezzanine, I could still see and understand the tricks easily as they happened. The trick ended with Teller picking up a handful of pennies and dumping them back into the water. Instead of the pennies turning back into water, however, they sank to the bottom while dozens of goldfish appeared in the tank - it was truly incredible.

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Part of what I was not expecting was the prevalence of social and political commentary in the show. Penn & Teller are widely known as libertarians and Penn is an outspoken public atheist. One trick included a short speech by Penn about airport security using a TSA metal detector. The trick was, again, amazing, but it also gave the audience an opportunity to reflect on the sacrificing of values and the usefulness of the TSA. Penn noted that the audience member chosen to come up on stage had as much training as a real TSA agent. They also showed how inaccurate and thus unnecessary many of the practices are. My favorite part of the sketch was Penn summarizing that we should all think about how our temporary security is often valued more highly than our eternal liberty. This is the type of comedy that reminds me of Lewis Black, where the jokes are purposeful and cause us to reflect on larger social issues.

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This activism-comedy was also apparent in Penn & Teller's card trick. Teller performed sleight of hand magic while Penn played a guitar and told a story about "The Atheist's Deck of Cards." Based on a song by Tex Ritter, Penn & Teller tell the story about an audience member (Teller) who interrupts a physics lecture by Lawrence Krauss (who helped them write the song) and then tells a story using the cards to justify having them at the lecture. I was blown away by the amount of scientific information (which my partner, who is earning his PhD in Cosmology confirmed for me was accurate) packed into the song. From the four fundamental interactions in nature, the cosmological constant, and the size of the universe, the audience were learning about physics while also being mesmerized by Teller's sleight of hand.

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I highly recommend Penn & Teller's show at the Rio. I'm not trying to advertise for them nor am I getting any reimbursement for this review. I am simply hopeful that Penn & Teller, along with other types of "edutainment" can help everyone learn more when they are not expecting it and give audiences chances for reflection and advocacy. Entertainment has aspects of education and can be harnessed to create a more active, engaged public. In a city known for its debauchery, sinfulness, and extravagance, I felt the simplicity and insight of Penn & Teller's show a welcome change of pace.

Female Comedians aren't Funny: Gender and Sketch Comedy

It's been two years since Kenan Thompson came under fire for blaming a lack of diversity casing in Saturday Night Live on the poor quality of black female comedians. Women often lack representation in the media, especially women of color, and the comedy genre is no exception. Similar to previous posts I've written about tokenism, it seems that the few females that are successful serve as stand-ins for the general inability for women to be funny. If Amy Schumer or Garfunkel and Oates can achieve success, why not every woman? Those who are successful are held up as proof that there is no bias or discrimination, although they still represent a minority of comedic faces. It's clear that prejudice still remains, with men still chairing key positions on popular comedy news shows and women of color remaining relatively absent even as male diversity increases. There are some notable exceptions that I hope will become more frequent. One of my favorite Daily Show segments features Samantha Bee and Jessica Williams tackling race issues. Tell me these women aren't funny.

Daily Show news team. Retrieved from Comedy Central.

The new season of Inside Amy Schumer has also been receiving attention as she tackles important social issues with a comedic slant. Among the very many attempted sketch shows, this one seems likely to succeed with Amy's keen insight for satire. Among her many hilarious and poignant videos, Amy has addressed beauty standards (video below), female representation in the media (long, but completely worth it, especially if you like 12 Angry Men), rape culture, and obsession with the female anatomy. Catchy and hilarious, "Girl, You Don't Need No Makeup" is a satire of boy bands and requirements for female beauty that reinforce unnecessary adornment and pruning. They note, "with a little mascara, you'll look female" linking the wearing of makeup as a female gendered activity; to not wear makeup is to violate the female identity. It is okay for males to comment on and discipline the actions women should take regarding their appearance. At the end of the video, the male singers try on some of the makeup products and their reactions reveal the ridiculousness of the products women are expected to wear.

Garfunkel and Oates (who frequent one of my favorite LA coffee spots, Bricks & Scones) are a successful comedy duo that also release sketch comedy videos. They've commented on issues such as an emphasis on pregnancy as crucial to the female identity, the gender divide in sports, and chastity (video below). This is a heads up that the video on chastity does show some mimed sex acts and references anal and vaginal sex. The song is a humorous take on the religious restrictions placed on youth to avoid their sexuality and find "loopholes" to stay pure. For me, this video does a great job at highlighting the double standards for purity, where females cannot be pleased sexually but the male can. Overall, the song brings attention to a common side-effect of abstinence-only sex education that promotes female virginity over information and personal choice. It also brings into question why certain sexual acts are treated differently than others and the treatment of sodomy in homosexual vs heterosexual relationships.

Comedy is a persuasive means of communication that often keeps attention and promotes critical thinking (especially in works of satire). The rise of female comedians opens up new areas for this critical eye of importance to women. I don't think these spaces are exclusively for females to occupy, but it is hard to speak for others. Female comedians provide a sense of legitimacy and authenticity to these issues, having lived many of these double standards and social obstacles. The writers and performers of the jokes come from a standpoint that reflects the unique position of a female in contemporary society. I hope that these shows continue to be popular and I encourage people to support them!

Catcalling and Power: Hollaback at Violent Male Culture

Catcalling has been appearing frequently in article I've been reading, on social media, and in conversations with friends. I have already discussed more generally the problems that females face specifically on college campuses, but catcalling is a form of aggression that plagues all women. I use the term aggression purposefully and meaningfully as these catcalls are verbal, sexual assaults on females. These are, in many ways, hate crimes in that they are addressed and targeted towards a particular gender. I argue that these are violent, aggressive verbal attacks on females and are not addressed in order to be compliments or flattery. Any woman of all shapes and sizes in clothing from SoCal casual to Boston coats (I have seriously been catcalled walking down Boylston in my HUGE winter jacket) are catcalled. Like rape, catcalling is not about "flattering" or "complimenting" someone; it is about power, laying claim, objectifying, and reifying an order where men can and are allowed to "be men." The clip below is from a Fox News show where four clueless women and one man discuss how flattering and welcoming catcalling is.

The hosts argue "let men be men." This statement characterizes men as overly sexual, aggressive, and blameless for their actions. This attitude let's men off for perpetrating abusive, violent action towards women. The blame is shifted to the victims for not "taking a joke," their choice of outfit that incites a catcall, or walking in a certain area. Victim blaming is never something that should be encouraged or tolerated in society. Just like bullying or assault on college campuses, it is always the fault of the perpetrator, the person committing the crime and assault. It is never the fault of the victim. In the famous words of the recently passed Robin Williams in Good Will Hunting, victims must always remember, "it's not your fault." The hosts of the show should be ashamed of themselves for laughing and tolerating the inane slow clap of their male counterpart. The female presence is not a show or performance for the adoration or approval of males.

Retrieved from this site.

I have been catcalled many times and the first thing that I have thought was not, "oh how nice," or "how flattering!" Instead, it immediately places me in a subject position where my presence is only meaningful in that is a display and object for the male gaze. In one instance, I had a man follow me off a bus in Los Angeles and onto the Metro, yelling at me and attempting to accompany me to my destination. I will probably never forget the fear I felt when I realized he was behind me as I stepped off the bus. My relief in getting out of the situation became sheer panic. He ran up next to me and said, "I'm not trying to scare you sweetie, I just want to marry you." Another time, I was grabbed from behind by a young male on a skateboard on the very street where I live. This catcall, which I tried to ignore, ended in physical assault and made me feel like an object to be squeezed, held, and owned by others. When I step on the street, I have no control over the actions of others, what they may call me, how they may judge me, but I will say that it is more rare than not to have an assault-free day. Louis Althusser noted that when a police officer yells, "Hey you!" at someone, they immediately construct a subject position for them to inhabit. This interpellation is done from a position of power that constructs for the other person an identity that they have no part in constructing. Any reaction is to that assignment position within what Althusser called an "ideological state apparatus" that reifies hierarchy.

Buzzfeed attempted to create a humorous interpretation of catcalling. The video shows "What men are really saying when catcalling." This video is important because it addresses the counter-argument that many people use to defend catcalling: that it is a legitimate way to approach a female. If someone is interested, why not simply call out to them and engage them in conversation? Well, as the video shows and as I fully agree, catcalling is not an invitation. There is no desired or appropriate response. The male simply wishes to undermine the female, assert power, and inflate their own egos. As one of the males in the video states, "I noticed you're confident, so I'm cutting you down to feel powerful." Another notes that he's not sure why he's calling because he wouldn't know what to do if the female responded. When I have tried to respond to catcallers, I am either called a bitch, frigid, or am assumed to already have a boyfriend. Because already being owned by a male is the only reason to call off an approach.

Playboy also recently released a chart that describes when it is appropriate to catcall a female. Though my initial reaction was, "why do you need a flowchart to define the word 'never'?" this chart is important because it incorporates the participation of the female. The only way for catcalling to be appropriate, via this chart, is with the consent and agreement of the female party. This approach considers females active agents instead of simply passive objects to be called upon.

Retrieved from this site.

Catcalling engages issues of hierarchy and ideology. In what situations do females catcall men? In what situations do females have the power to objectify and undermine men? Simply put, they never do. The structure of hierarchy implies that the minority or discriminated group never has the agency or power to discriminate themselves. Any action is performed within that hierarchy. My response to a catcaller is always framed with the male in the right and myself in the wrong. Althusser's police office constructs the situation and appropriates the actions of the passerby without a need for reaction. Because of their respective positions within the system, the act of addressing and calling upon someone places them in the position of vulnerability, object, and minority. Catcalling reifies a structure that says that men are always in a position of power over women.

Retrieved from this site. Stats are specific to Hollaback Boston.

A few organizations, such as Hollaback , are trying to end street harassment. Hollaback focuses on sharing the stories of females who have been harassed in a triple-pronged attempt to promote awareness of how frequent and widespread the issue is, to provide validation for females who have been verbally harassed, and to promote healing through collective storytelling. I hope that initiatives like this can help to make real and present the plight of harassment that females experience every day. We as a society need to move away from victim blaming, listen to the stories of those shamed and objectified, and acknowledge the societal guilt that we all share by allowing this culture to exist. Though I am not knowledeable enough to comment in more depth, I do want to use this post as an opportunity to amplify how these issues often specifically and disproportionately affect women of color and the transgender community.

What do Elliot Rodger and Tal Fortgang have in common?

I had previously started writing a piece in response to the Tal Fortgang “check your privilege” article. I wanted to discuss the plethora of space and attention the media (and society) gives to the white, male, cisgender, able-bodied, heteronormative perspective. I briefly stopped working on that article when news of UCSB’s campus attack became public. I immediately thought that Elliot Rodger’s story was perhaps more deserving of being critiqued. This was when I realized the great similarities between these two men (albeit very far away on the violence spectrum) that can be linked to underlying societal de-valuing of trans- and cis- women. I will address these two situations separately before critiquing the reinforcement of hegemony that allows us to avoid blaming ourselves for the rampant presence of continuous threats of rape and death.

For Tal, being told to “check his privilege” is the worst part of his college experience. Tal’s rejection of his inherent privilege denied the negative experiences of others (at college or elsewhere) of racial discrimination, violence, and sexual assault. The stories of so many women, especially transwomen and women of color, are forever swept under the rug, but the whining of a Princeton-educated, non-struggling story of Tal are lauded as examples of how society is forcing white people to feel guilty “just for existing.” It is quite disheartening to know that one’s story will not be believed simply because one does not have the access to media forums in which to express them. Or, even when those stories are told, they are often the white, cis-woman perspective. Or, when women are threatened, we still rely on the charity of men to raise the alarm and offer suggestions.

I praise the strong, powerful women at other institutions, such as USC and Northeastern (my current and previous institution of higher education) that have shared their story and fought back against institutions that deny women the right to say no, and their legal recourse against perpetrators. I was not strong enough to tell my story. Even with my high level of privilege, I was terrified of the consequences of reporting my sexual assault by a trusted friend at Northeastern. The word “survivor” never rang true for me. “Survivor” would imply that I had faced a natural force, like a tsunami or a disease, and overcame the event and devastating effects.  I didn't, though. I was faced with a human force, a man in complete control of his actions, a friend, who I had given my trust to, had made a conscious decision to act, devalue our friendship, and violate my body. This is, unfortunately, the story of so many women in collegiate settings, but so few are given the space to share their stories, or feel that they can freely and without consequence equally access our rights.

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Elliot Rodger’s story is also garnering national attention, including his manifesto where he declares his hatred of women and need to enact revenge through murder. Despite such plain, obvious language, some people have come to Rodger’s defense by displacing blame from his white, male privilege to mental illness. One of my colleagues at USC, Francesca Marie Smith, argued that mental illness can be used as an argumentative strategy to undermine the culpable of agents in a given situation. Examining the 2011 shooting of Gabby Giffords, she concluded that a focus on the mental capacity of Jared Lee Loughner derailed larger conversations about the societal pressures and political polarization that may have fueled the attack.

Elliot should not be memorialized, lauded, made a hero, or removed from blame. This was a calculated, terrorist attack on women as a whole because he had been told “no.” He believed he had a right to the female body as sexual property and projected his own shortcomings on the failure of (female) others. People should not watch his videos or read his manifesto: let us not immortalize a misogynist who decided to take life instead of realize the privilege in his own.

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These two stories began and ended very differently. Tal has certainly upset people with his lack of awareness and care for the stories of others, but Elliot has murdered. I do not wish to equate these stories; I am not making claims about “all men.” I am instead commenting on the attributes that they share and what this says about our society.

Both are inherently linked to race and gender, because they laud the white, male perspective over all other bodies. Yes, Elliot was mixed race, but there is no denying his feelings of privilege and superiority that accompany this perspective. Both believe in the power of their privileged body to make decisions and that they have the right to remove of agency from others. Tal and Elliot are not allowed to be told “no,” especially not by people of color or women. Tal cannot be told to “check his privilege” and Elliot cannot be denied sex. These are the autonomous decisions of others that put into question the privilege that Tal and Elliot could not even recognize they had (being blind to their own condition and the conditions of others). 

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These men are just two chapters in the larger story of a society that allows their privilege to continue unabated, that celebrates and defends them, and that prevents us from looking inward at our own complicity. If it the fault of people who question Tal’s struggle, Elliot’s mental condition, or my inebriation, then society as a whole is declared “not guilty.” We can live in the façade of a world where these events are mere peppered outliers in a properly functioning society, instead of symptoms of a diseased organism. Walking down the street or taking public transportation is an opportunity for women to be yelled at, groped, followed, threatened, or even worse. Even spending time with trusted friends and family members can lead to the violation of the female body. Althusser's police officer defines the power structure and everyone's position in it by addressing someone, "Hey you!" When I walk down the street and am called "bitch" while being grabbed from behind, that also defines me without my permission, reaction, or ability to subvert.

Many more stories of struggle and healing at Project Unbreakable

We cannot let these stories be drowned out by the mob quick to defend the current system. We must give space and attention to those that are fighting for change and awareness of larger issues. We perhaps cannot change the minds of current misogynists or denialists who will resist at all costs the crumbling of the society that preferences them. But, with increased effort, we may be able to usher in new generations brought up in a society that recognizes the issues that face the majority of us and fosters a culture that is actively trying to change it.

USC Fence and Visibility Politics

Retrieved from Change.org

Responding to security concerns regarding an on-campus shooting in the fall of 2012, the University of Southern California (USC) built a chain-link fence around its campus for the start of the 2013 spring semester. The main section of USC’s University Park Campus was enclosed and ushered in with it new security protocols. Previously, the campus was a free space to walk through at any time of day. Now, anyone wishing to enter campus must negotiate the new openings around the fence. USC affiliates and visitors alike are subject to the gaze of security guards who check identification at specified gate entrances after 9pm. In spite of USC’s presence that extends outside of the main campus area, community members and non-USC affiliates are restricted from accessing campus spaces. The previously unfettered access of the community to campus spaces has been replaced by prominent visual and physical barrier to movement and agency.

The fence has been justified as a security measure to protect students on campus during certain hours. USC does have a primary importance in protecting its students, but choosing to isolate community members because of a few representatives influences the entire community. The consequence of such a symbolic action is to conflate a few violent individuals with the community and to reinforce narratives that off-campus spaces are not safe. This physical division operates as a linguistic turn from the USC community to USC vs. the community. This “us vs. them” mentality occurs through labeling the community as separate from USC affiliates. Carrying a USC ID card provides one access; without it, bodies are turned away and disciplined from entering. In creating this distinction, the community is labeled as violent, criminals, trespassers, unwelcome, and the other. “These names shape our relations with our fellows. They prepare us for some functions and against others, for or against the persons representing these functions. The names go further: they suggest how you shall be for or against” (Burke, 1984, p. 4). The fence helps establish hierarchies in naming that teach USC affiliates how to respond to and treat community members. These rules only operate between 9pm and 6am, but the labels last longer. Symbolic naming reconstructs the relationship between the community and USC that cannot be changed by the hour of the day.           

Foucault's Panopticon as surveillance

In restricting the movement of the body, USC also controls when those bodies can be seen, have a presence, and occupy certain spaces. Control over the body, or biopower and biopolitics, is a power over the movement of the body, its ability to be seen, and to be heard (Foucault, 1982; Hollinshead, 1999). Casper and Moore (2009) refer to “hysterical blindness” where institutions or people either choose not to or are somehow restricted from seeing or being seen (p. 10). “Hypervisuality” is this opposite, where people are targeted, heavily observed, and monitored (Casper & Moore, 2009, p. 10). This “complex system” of sight and obstruction means that powerful political entities can control who can see and who is seen (Casper & Moore, 2009, p. 10). At USC, bodies of students become marked, by carrying a marked ID, and those of community members unmarked as the “other,” not welcome within campus spaces (Phelan, 2004). Visitors to campus can apply for single-entry access for a specific purpose, creating a temporary mark of approval and access by institutions of power. The body receives either acceptance or denial at the fence border based on its membership in the Trojan Family. As Greg Dickinson (2002) notes, “the subject comes to known itself in some more or less coherent way depends on an ability to locate itself” (p. 7). Locating oneself either inside or outside of the campus borders changes how one defines membership, identity, and body autonomy. Knowledge of surveillance by guards also contributes to one’s ability to locate oneself within the political power structure as a target or threat worth monitoring.

There are concerns that these policies endanger community members while offering little extra protection for USC. Vice President of Student Affairs Michael Jackson published an updated campus policy online that said, “We are taking these steps because we care about the security and safety of our students, faculty, staff, guests and neighbors” (para. 4). It is an interesting rhetorical decision to separate “guests” of USC from its “neighbors,” but certainly these are fluctuating categories. The real importance in this statement is that somehow the construction of the fence will not only add protection for USC affiliates but also to the community members. To the contrary, the Los Angeles Times reported on January 13^th, 2013, that blocking the USC campus off from non-students, faculty, and staff poses a risk to community members. For example, community members exiting the Exposition/USC stop on the new Metro Expo line used to be able to walk through “the safe, well-lit shortcut through campus” to catch buses at prominent Jefferson Boulevard stops (Jennings & Xia, 2013, para. 9). Now, community members have to circle the entire USC campus or change their regularly traveled public transportation routes home. The construction of the fence not only places the community under additional surveillance, but it also directly influences the movements of the community, with yet unseen benefits for USC. A Daily Trojan letter to the editor echoed these concerns noting that “as a university we should not sacrifice freedom of movement for relatively little or no added security” (Brown, 2013, para. 4).

Though erected and implemented for supposed safety and benefit, borders oftentimes exacerbate economic, class, and racial divides by establishing rhetorical divisions in identity and membership. How bodies are restricted in their movement, displaced, or undervalued also restricts voice and visibility in terms of the powerful and the powerless. Surveillance, monitoring, and the construction of boundaries are all ways that bodies are disciplined and controlled. These barriers to full cooperation and integration, both physical and symbolic, construct an environment where identity is defined through one’s relationship with institutions of power. USC’s fence highlights the modern implications of race, borders, and visibility, where hierarchies still enact biopower and violate political autonomy. 

Retrieved from Mutual Responsibility

A Change.org petition has been started to “Take down the USC gates.” This petition notes the importance of welcoming, opening spaces, and condemn the “us vs them” mentality that the fence represents. The petition includes a space for comments and a letter addressed to USC President Max Nikias and the Provost Elizabeth Garrett. The petition is nearing the 500 signatures needed to be sent to Nikias and Garrett. The power of such a petition may be limited in terms of practical changes, but the petition is itself symbolic that the USC community is in part against the policy instituted by the administration. A lack of student support and involvement, however, many indicate that many are already accustomed to the surveillance and limitations that it imposes. Some may be optimistic about the future of surveillance, but it appears that great action and effort to shift notions of visibility are needed to reclaim privacy and personal autonomy.

References

Brown, N. (2013, January 22). In response to security measures. Daily Trojan. Retrieved from http://dailytrojan.com/2013/01/22/letter-to-the-editor-75/

Burke, K. (1984). Attitudes toward history. Berkeley, CA: University of California Press.

Casper, M. J., & Moore, L. J. (2009). Missing bodies: The politics of visibility. New York, NY: New York University Press.

Dickinson, G. (2002). Joe’s rhetoric: Finding authenticity at Starbucks. Rhetoric Society Quarterly, 32(4), 5–27. doi:10.1080/02773940209391238

Foucault, M. (1982). The subject and power. Critical inquiry, 8(4), 777–795.

Foucault, M. (2012). The history of sexuality: An introduction. New York, NY: Random House Digital, Inc.

Hollinshead, K. (1999). Surveillance of the worlds of tourism: Foucault and the eye-of-power. Tourism Management, 20(1), 7–23. doi:10.1016/S0261-5177(98)00090-9

Jennings, A., & Xia, R. (2013, January 15). USC rolls out the unwelcome mat. Los Angeles Times. Retrieved from http://articles.latimes.com/2013/jan/15/local/la-me-usc-safety-20130116

Phelan, P. (2004). Unmarked: The politics of performance. New York, NY: Routledge.

Hegemony, Choice, and Struggle: Taylor Cotter

This article has received much coverage and critique over the past month, but I wish to add my opinions on the matter of struggle, privilege, and hegemony.

It is not lost on me that this critique of Taylor Cotter's article is hypocritical as she is almost my complete double: Northeastern graduate, female, white, employed, and journalism/communication focused. In spite of these similarities, I would like to dissect Taylor's article and view it as a communication scholar would: in terms of issues of power. The ideas in her article, "A Struggle of Not Struggling" have been met with much contention, minimal but loud support, and debate over her intentions. The article is short so I recommend reading it, but to summarize, the main point of the article is that, for Taylor, having been successful has kept her from experiencing life from a different perspective: the struggling, freelancing journalist. Overall, she imagines what a different life might have been had she not been successful, or, as she describes, if she had fallen on the other side of the statistics.

In part, I can empathize with a general life feeling of uncertainty of making the right choice, wondering about making different decisions, or planning for the worst case scenario. These are natural feelings of anxiety, worry, and preparation that most people experience. The difference, then, is what the topic of anxiety is and what the side the grass is greener on. For Taylor, she pines for the less green side of the fence, the struggle and character-building that comes from falling on the other side of the statistics. Though Taylor could easily change her situation and decide that she wanted to leave her job and move to New York to live her dream lifestyle, she does not. In keeping the job and complaining about it, she denies herself the dreams she pines for, and further insults others who might not have been as fortunate.

The key issue for me is choice. At the end of the day, Taylor chose her life and could easily change her decision. "I chose the path of a full-time job and an adult life. I gave up on the adventures, on freedom, on youth. " Her pining for the other side mistakenly equates a part-time job, living at home, and financially struggling with adventure, freedom, and youth. There is nothing inherently adult about having a job and there is nothing inherently youthful about having adventures. Condemning oneself to a boring, full time job is simply that: a mistake has been made and one has the opportunity to change it. Those who are not as lucky are not necessarily in a different situation, but are trapped, cannot choose. Working a part-time job, living at home, and eating ramen may seem a glamorous, enviable life to one in a higher, more entitled position. To those for which it is daily life, a necessity to survive, the glamor fades quickly.

I may not know what it means to be anything but a privileged, Caucasian, heterosexual, and middle-class ciswoman, but I would not pretend to know anything else. I would not claim to look through the lens of others, understand others, or envy others (at least not intentionally). I, therefore, see the hypocrisy in writing this article and critiquing Taylor, not knowing her full story. But from the article, the only easy-accessible evidence in which she is explicit about her situation, I feel that a character-evaluation and full opinion can be made. The underlying narrative of the greener grass always being on the other side is undermined by hegemonic, pompous overtones.

Hegemony and power are important concepts in communication, especially in gender and cultural studies, where issues of power define all relationships and communication. Whether one believes in the Marx or Foucault brand of hegemony and power, one could argue that Taylor is a representative of the top or ruling class because of her self-reported situation (e.g., in terms of economy, race, opportunity, and social status). Marx would argue that power is held in the top and oppresses those beneath whereas Foucault argued that power is found in every level of society. The power of Marx is oppressive and top-down, but Foucault's power is flexible and multi-directional. Those in the top have the choice to abandon their post, the factory owner could leave power and become employed at the factory, Taylor could quit and pursue a different life. Those in the bottom, however, have no such independent, personal choice, the factory worker cannot simply become the owner, part-time workers cannot simply obtain a full time, well-paying job. The different positions are inherently issues of freedom, choice, and independence. While Taylor "often laments" her life were not different, she does not take the action to change it that others have no power to do. Instead, her lamentations of the path not taken appear as navel-gazing whining of an unnecessary quarter-life crisis. Nothing is permanent about her life, nothing is permanent about anyone's life when one has power. When one lacks power, however, they would not write such an article, for there would have been no choice to be made and thus no opportunity for regret.

Why this article offends, upsets, and bothers people is because by pining for the "other" life, Taylor denies her privilege as a benefit, insults those who have no choice, and embarrass those in her same position that must now justify and defend the hegemonic claims to entitlement by those who are so ungrateful. This is not a question of wishing better decisions had been made, regretting mistakes, or pondering other avenues. This article puts under scrutiny the very definitions of sacrifice, success, hegemony, power, and personal freedom. When choice is stripped from you, you are not free, a fact that Taylor takes for granted.

Visual Communication Reflection: The Power of the Gaze

With a brief intermission in honor of the Dark Knight Rises, the past three blog posts have focused on nudity, tattoos, and eyewitness testimony and their relationship with the visual communication topic of "the body".

The connection I found between all of these pieces was the idea of power transferred and disciplined through the gaze, specifically, a masculine, powerful gaze. The male gaze is the primary consumer of the ESPN magazine and the differences in framing the masculine and feminine bodies draw the male gaze to the female form. The gaze on the masculine bodies is one of camaraderie, but the gaze on the feminine bodies implies sexuality, ownership, and conquest. The tattoo as a public display directs one's gaze to certain locations on the body, hides other parts, and draws attention to one's narrative and modifications. Victims of and eye-witnesses to crime are robbed of well-being, safety, and peace of mind. Their gaze in identifying the suspect (whether innocent or guilty) reclaims some of that uncertainty and paranoia with power, retribution, and relief. The gaze, then, that tracks the faces and makes the ultimate decision is a tool of power and control reclaimed and operated by the victim.

Gaze and power are two powerful concepts that have importance implications for communication scholars, especially those interested in feminist, cultural, and rhetorical studies. Those in power use different methods of oppression and discipline others, one of those ways in through the gaze. I have had experience with this power at a bar on New Year's Eve two years ago. After dancing and having fun with my friends, a man approached me and told me that his friend wanted to meet me. Unsure why, but optimistic that my single friend might be entertained by the current man while I spoke with his friend, I followed him back to the bar. After awkward introductions and seeing my friend be abandoned at the bar, I tried to break off the conversation with the friend. Upon leaving, he grabbed my arm tightly and said a few words that I can hear clearly even today: "I've been looking at you all night. You will dance with me." The idea that his gaze somehow controlled me or that his gaze provided him power over me was simultaneously ridiculous and terrifying. Was my body not my own? Did simply being out in public make me vulnerable and even complicit in the gaze of others? This particular person seemed to think that the very act of looking, gazing, staring was a service, labor, and favor to me that I was obligated to return or compensate him in some way. This is an event, unfortunately, not unique to me and is the result of a patriarchal society that objectifies and sexualizes the feminine.

Rihanna's "Man Down" Video

But one's gaze should not provide undue or unwanted power over another. The women in the ESPN magazine should be given the same emphasis on skills and abilities instead of their naked form. Those who chose to get ink on their skin to tell stories, personal or public, should not be denigrated or ridiculed for their decisions. Criminal investigations should not rely on the unreliable, reclaim to power that is the eye-witness testimony. No one should be controlled simply because another's gaze is directed towards another person. The power in the gaze is well-documented and remains an important idea for communication scholars as the heteronormative, male hegemony of the gaze has important implications for relationships, argumentation, and power.

Visual Communication Reflection 3: Testimony

The panel concluded with an evaluation of two types of eyewitness testimony: serial and sequential. Although the presentation looked at media representations of suspect identification and the preliminary results of an ongoing experiment, the researcher (and apparently the scholarly community) are inconclusive about which is best.


When selecting an image of a potential suspect, eye-witnesses are either shown images one after the other in separate pages or screens, or are presented as a part of a line-up with multiple faces present simultaneously. The issues surrounding these two methods is which is the most accurate for selecting a suspect. Each method has its own positives and negatives. The serial method allows for comparison of faces and features, but also forces the witness into a choice to select someone on the page when the suspect may not be present. The sequential method allows for less distractions and full recognition of a face or person, but also makes witnesses hesitate to pick someone if they are not completely certain. The first makes it more likely for an innocent man to be convicted, the second more likely to release a suspect. The researcher hopes to continue experimentation with eye-gaze tracking software to see how serial and sequential identification methods change the participant's gaze, speed, and accuracy.

The media representation that came to my mind first was the debate over testimony accuracy in 12 Angry Men. The eyewitness testimony claims to have seen the act of murder occur through a passing train car. This testimony is severely discredited, however, when a juror notices her eye glasses marks, indicating that her eyesight and its quality was in question. One could have 20/20 vision, however, and still provide inaccurate testimony. The jurors, especially #2 and #3, make the case that the shaky memory of the boy on trial is evidence on his inability to recall the movie he'd seen the previous day. Unfortunately, these lapses in memory are common for humans, even in immediate short term tasks. Remembering something from a previous day, especially under duress and extreme emotion, can be exponentially difficult. It was for the boy in 12 Angry Men and it is also the case for many who identify suspects after a crime. They are under pressure to select a suspect, are emotionally stressed, and may still be coping with the trauma of the crime. Under such circumstances, how could anyone expect accuracy? Yet, some court rooms and convictions still rely on it.

This movie originally came out in 1957, so the accuracy of such visual memory has been contested for many years. In many ways the eyes are the most easily deceived, yet are considered the best representations of truth. For example, even the hand is faster than the eye, making slight of hand and trivial magic appear miraculous to the naked eye. Yet, there is also the axiom, "seeing is believing." So how does one vision, eyes, sight become a dichotomous reality and deception? The key here is in negotiating the history of communication. All communication between people is a dilution of the subject being discussed. I may tell you about an elephant, but until you see one, the word does not have the proper referent. Seeing, thus, creates the connection between a word, symbol, icon, and the reality. Because of this connection, people often stop analyzing, critiquing, and evaluating once sight is confirmed. This leaves an opening for manipulation and deceit that can be left unchecked.


What is the future of eyewitness testimony? The researcher at the conference discussed the hundreds of scholars currently working on the issue and how it is unlikely to be solved soon. Some states are beginning to legislate eyewitness testimony and it has even been mentioned in Supreme Court cases, but until overarching research, data, and conclusions are achieved, there may continue to be mis-identifications and innocent people behind bars.